Four Freedoms

“Four Freedoms: A new moral order based on the supremacy of human rights everywhere.”
– Franklin D. Roosevelt.

On January 6th, 1941, President Franklin D. Roosevelt addressed Congress in an effort to move the nation away from a foreign policy of neutrality. FDR provided us with a planetary foundation for ethical world leadership. In essence, he made the claim that it is morally and politically unacceptable to ignore global human rights concerns, including the plight of the world's poor.

Roosevelt insisted that PEOPLE IN ALL NATIONS OF THE WORLD shared Americans’ entitlement to four freedoms: freedom of speech and expression, freedom to worship God in his own way, freedom from want and freedom from fear.

Yancy Villa-Calvo in collaboration with Opera Memphis, Latino Memphis, and the Art Museum of the University of Memphis.

This video is one of the performances along with ‘La Posada’ celebration reflecting on the holy family Mary, Joseph, and Jesus immigrating to another country and escaping prosecution.

 
 
 

Art/Race/Violence

A collaborative response

Conceived to commemorate the 100th anniversary of Ell Persons’ very public murder by members of the Memphis community through the act of lynching, the project was further inspired by recent events to memorialize lynching sites in the broader Memphis community in an effort to bring about greater understanding of racial oppression and violence in the South. The artists were challenged to use art to reclaim cultural expression of humankind’s (or “this country’s”) history of racially motivated violence and to examine this history from multiple viewpoints. ***Organized by visual culture historian Dr. Earnestine Jenkins and artist Richard Lou in collaboration with Crosstown Arts.

 
http://crosstownarts.org/calendar/artraceviolence-a-collaborative-response/ Art/Race/Violence: A Collaborative Response is a multidisciplinary project organized by visual culture historian Dr. Earnestine Jenkins and artist Richard Lou in collaboration with Crosstown Arts. Through this project, local artists collectively explore intersections of race and systemic violence through the lens of cultural expression. Conceived to commemorate the 100th anniversary of Ell Persons’ very public murder by members of the Memphis community through the act of lynching, the project was further inspired by recent events to memorialize lynching sites in the broader Memphis community in an effort to bring about greater understanding of racial oppression and violence in the South. Music “The Caspian Sea" by Blue Dot Sessions Available on the Free Music Archive: http://freemusicarchive.org/music/Blue_Dot_Sessions/TinyTiny_Trio/The_Caspian_Sea Under CC By License: creativecommons.org/licenses/by-nc/4.0/legalcode Music "Grey Grey Joe" by Blue Dot Sessions Available on the Free Music Archive: freemusicarchive.org/music/Blue_Dot_Sessions/TinyTiny_Trio/Grey_Grey_Joe Under CC By License: creativecommons.org/licenses/by-nc/4.0/legalcode Music "Peacetime" by Blue Dot Sessions Available on the Free Music Archive: http://freemusicarchive.org/music/Blue_Dot_Sessions/TinyTiny_Trio/Peacetime Under CC By License: creativecommons.org/licenses/by-nc/4.0/legalcode Music “Tower of MIrrors" by Blue Dot Sessions Available on the Free Music Archive: http://freemusicarchive.org/music/Blue_Dot_Sessions/TinyTiny_Trio/Tower_of_Mirrors Under CC By License: creativecommons.org/licenses/by-nc/4.0/legalcode Music “Last Lights" by Blue Dot Sessions Available on the Free Music Archive: http://freemusicarchive.org/music/Blue_Dot_Sessions/Landsman_Duets/Last_Lights Under CC By License: creativecommons.org/licenses/by-nc/4.0/legalcode
 
 

Perpetrator, Bystander, or Rescuer?

art installation by Lawrence Matthews & Yancy Villa-Calvo

In collaboration with artist Lawrence Matthews, and we created "Perpetrator, Bystander, or Rescuer?" exploring the roles we consciously or unconsciously play in society during times of struggle and invites for audience participation questioning their role in the current political environment that might perpetuate new forms of lynching. (Read More)

 
The project was inspired by events in the broader Memphis community to understand racial oppression and violence in the South by memorializing lynching sites. The city of Memphis is an extremely important site in this history due to the murder of three young African American businessmen in 1892, and the lynching of Ell Persons in 1917. For eight months there was extensive research and presentations of the history of the lynchings in the South. This project allowed me to work collaboratively with African American singer and videographer, Lawrence Matthews, and we created the art installation "Perpetrator, Bystander, or Rescuer?" This exhibition explored roles we consciously or unconsciously play in society during times of struggle and invites for audience participation questioning their role in the current political environment that might perpetuate new forms of lynching. ***The project was organized by visual culture historian Dr. Earnestine Jenkins and artist Richard Lou in collaboration with Crosstown Arts.
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